“She deserves the Croix de Guerre, if it is proved that she did it,” he thought. “She will have saved many thousands of lives—for the present.” Joan had difficulty in deciding on her own frock. Her four evening dresses, as she walked round them, spread out upon the bed, all looked too imposing, for what Mrs. Phillips had warned her would be a “homely affair.” She had one other, a greyish-fawn, with sleeves to the elbow, that she had had made expressly for public dinners and political At Homes. But that would be going to the opposite extreme, and might seem discourteous—to her hostess. Besides, “mousey” colours didn’t really suit her. They gave her a curious sense of being affected. In the end she decided to risk a black crêpe-de-chine, square cut, with a girdle of gold embroidery. There couldn’t be anything quieter than black, and the gold embroidery was of the simplest. She would wear it without any jewellery whatever: except just a star in her hair. The result, as she viewed the effect in the long glass, quite satisfied her. Perhaps the jewelled star did scintillate rather. It had belonged to her mother. But her hair was so full of shadows: it wanted something to relieve it. Also she approved the curved line of her bare arms. It was certainly very beautiful, a woman’s arm. She took her gloves in her hand and went down.!

It was at Madge Singleton’s rooms that the details of Joan’s entry into journalistic London were arranged. “The Coming of Beauty,” was Flora Lessing’s phrase for designating the event. Flora Lessing, known among her associates as “Flossie,” was the girl who at Cambridge had accidentally stumbled upon the explanation of Joan’s influence. In appearance she was of the Fluffy Ruffles type, with childish innocent eyes, and the “unruly curls” beloved of the Family Herald novelist. At the first, these latter had been the result of a habit of late rising and consequent hurried toilet operations; but on the discovery that for the purposes of her profession they possessed a market value they had been sedulously cultivated. Editors of the old order had ridiculed the idea of her being of any use to them, when two years previously she had, by combination of cheek and patience, forced herself into their sanctum; had patted her paternally upon her generally ungloved hand, and told her to go back home and get some honest, worthy young man to love and cherish her. “Don’t be so harsh with me,” pleaded Joan meekly. “I’m trying to think. Yes,” she continued, “decidedly he’s got brains.”

“Bit of bad luck for both of us,” suggested Mr. Halliday. And she had promised him. He needed her. The words she had spoken to Madge, not dreaming then of their swift application. They came back to her. “God has called me. He girded His sword upon me.” What right had she to leave it rusting in its scabbard, turning aside from the pathway pointed out to her because of one weak, useless life, crouching in her way. It was not as if she were being asked to do evil herself that good might come. The decision had been taken out of her hands. All she had to do was to remain quiescent, not interfering, awaiting her orders. Her business was with her own part, not with another’s. To be willing to sacrifice oneself: that was at the root of all service. Sometimes it was one’s own duty, sometimes that of another. Must one never go forward because another steps out of one’s way, voluntarily? Besides, she might have been mistaken. That picture, ever before her, of the woman pausing with the brush above her tongue—that little stilled gasp! It may have been but a phantasm, born of her own fevered imagination. She clung to that, desperately. “There’ll be nothing more,” explained Joan. “So long as my friendship is of any assistance to Robert Phillips in his work, he’s going to have it. What use are we going to be in politics—what’s all the fuss about, if men and women mustn’t work together for their common aims and help one another?”